Big fossils can't be seen

In the Kistler Collection, large fossils can be described as versatile and unique. It is a water-washing stone produced in the Hongshui River section of Yantan, Dahua County, Guangxi, also known as Yantan Caiyu. The large fossils are colorful and the texture is hard and strong. The stone skin is moist and jade-like, and the shape is magnificent. It is very popular among Tibetans.

The large fossil stone is colored in golden, brown, brown, emerald and terracotta, accompanied by black grass patterns. The glazed skin of the skin presents a dignified texture and is very rich. The basis for appreciating large fossils is based on its jade texture and rich colors, while its natural shape requirements can be relegated to a secondary position. The natural shape of large fossils depends on the degree of erosion and erosion of the rock bedding in the rivers, mostly layered structures, or the Yueyue Yungang, or the dangerous rocks of Fujian and Taiwan. Although it is different, it is difficult to show various indications, especially It is a character or a mountain shape that is rare.

At present, in the stone-viewing world, the phenomenon of large fossils is observed or collected. It stands to reason that the exquisite beauty of Kistler is not in the size of its size, the large stone ventilation, the small stone and the elegant taste, each has its own merits. However, for the natural generation of large fossils, such stones are intriguing and profound. It is precisely because of this vivid and beautiful beauty that it creates the artistic connotation that can shock people's hearts and stimulates an aesthetic ideal that pursues sublime beauty. Therefore, in view of the fact that large fossils have the modern aesthetic characteristics of “shape, quality, color, grain and rhyme”, it is reasonable for many stone collectors to tend to enjoy the big stone. For example, the author's collection of "Akiyama Evening", according to its volume (27 cm × 72 cm × 24 cm) is already a large stone. This stone stone is luxuriant and full of texture. The stone table is ups and downs, and it is soft and transparent. It seems to have the combination of cloud head and rain and rain in traditional landscape paintings. It depicts the mountain body with a strong and uplifting style. Faced with this stone, it seems that in appreciating a famous painting of the Song Dynasty, whether it is looking up, looking up or looking down, it is possible to find out the relationship of near-heavy, near-tight, far-reaching, near-far and far-reaching, and far-reaching. A rare stone treasure.

The treasure of the big fossil has conquered the stone-bearing people to a certain extent. However, its natural formation characteristics make it impossible for people to abandon the paranoid concept of "heavy shape", as long as it is firm, fresh, skin-friendly and full. You can enter the game. Due to the differences in location, depth, water quality and water flow at the bottom of large fossil sediments, their formation patterns vary widely. If some are made into a circle, the platform is straight, the skin color is sleek, and it looks dignified and calm; some have sharp edges and bumps, and the bumps are intertwined. For example, the author's collection of "Water Splashing Cloud Cliff", medium volume, full body brownish yellow, covered with black, just added a little bit of desolation. This stone has a wonderful shape, a clear hierarchy and a high level of danger. On the whole, the top of the cliff is undulating and hoisting; the top of the second floor is flat and the view is wide; the three layers are tight and restrained, and the depth is steep; the middle plank is traversed, and the volley is entrenched. Although this large fossil lacks "treasure", it is rare that it has an unusual singularity, which allows the viewer to pass through the visible shape and transmit the invisible god, producing an aesthetic taste that is far away and close at hand. .

For large fossils, regardless of their "look", as long as they meet certain requirements of "shape, quality, color, grain, and rhyme" in modern aesthetics, they can be considered to have ornamental value and collection value, but only in general. "Baoqi" can't be picky and singular, but if you look at it, you can't have "poetry." Therefore, the appreciation and collection of large fossils should be combined with their unique natural beauty expressions for appreciation and evaluation. Even places where ordinary people think that they are insufficient, through observation and comparison, reverse thinking, become the inexhaustible strengths, can truly understand the profound meaning The artistic connotation of the stone is not to be missed because it is too picky or disdainful.

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