From the geometric texture to the flower pattern, from digital printing to weaving and embroidery, till autumn and winter 2015, the richness of the printing elements by Jinyuan designers can not be summed up simply by using the word "printing". Distinct Asian aesthetics and romanticism, full of interesting details, all implicit incomprehensible Jinyuan thought. Seemingly simple and easy printing implies the meaning, as well as the secret code it carries in the fashion industry continue to tilt the formalist movement another change. 1 Plaid: to the meaning of the process The Bible mentions: "Do not wear clothing made of two colors." Even God also uses his power to forbid humanity to embrace graphics. The graphic elements silently silence in the oppression of the times. 2 from plant morphology to artistic style Dongfeng Xi gradually, pay more attention to the composition of the oriental landscape art from the 18th century, has greatly affected the West, the success of the designers re-examine the value of the plant pattern, a "history of fashion development." Art Nouveau's Art Nouveau style has also been spawned by the industrial revolution of the late nineteenth century. It captures the beautiful lines of nature and at the same time does not exclude the technical aesthetics of the machine era. It continually uses bright and contrasting colors and naturally transforms into new prints with distinctive characteristics. Reached a balance between natural symbolism and international fashion. It is in the fusion with all kinds of trendy art trends, based on the original plant patterns, the body constantly remove the sense of decoration, the successful counter-attack became the quintessence of Jinyuan "printing style." 3 mysterious avant-garde sci-fi printing Paradoxically, however, with the rise of consumerism, from the check to the printing of plants, from ethnic totem to animal culture, fashion dignitaries are making their way into the consumer market and they also lead the trend of imitation. At the same time on the printing of the aesthetic is also reflected in the classic aesthetics and the young market this contradiction, Jin Court need to constantly strike a balance between the two and a breakthrough. Thus, the autumn and winter of 2015 Jinyuan another new exploration on the printing: contour, color, fabric, pattern ... ... Golden Court designers have enlarged all the possibilities of the elements to create avant-garde, a full of sexy new State printing, printing and elements to produce exquisite visual dialogue. Although still under exploration, but at least left many young Jinyuan designers with new and greater creative space. The future trend Fashion has never been a lack of change and evolution, setting off the printing of several times the trend of fashion sits a real fashion base, in order to split the territory from this prosperous territory, then whether it is designers or fashion people, Need to keep thinking in the name of fashion. 2015 Golden Court also declared a new fashion attitude, on behalf of a more liberal attitude, deconstruction of the printing-based new fashion spirit.
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In this age imprint, the birth and evolution of the Scottish Plaid is a typical process of meaning. From the tragedy protagonist who was forbidden by God, all the way to the ordinary people, the evolution of itself followed the magical effect produced by the superimposition of different historical images. Along with the Enlightenment Movement of Europe and the stripe pattern, stripe pattern was gradually recognized as a symbol of revolution and progress with the progress of the American Revolutionary War and the French Revolution and became one of the most important symbols of modernity. 
