"Ukiyo-eup," quiet and solo exhibition

On September 28th, 2014, Jingbian Solo Exhibition - “Ukiyo-eki” was opened in the Today Art Museum. The exhibition will showcase a series of works that Seihei has created in recent years as a target of social marginalization.

Jing Jing was born in a family of artists in the late 1960s. He learned his paintings from his father since childhood and forged his profound painting skills through years of hard work. This is evident in his early paintings. The graduation work “My classmates” has profoundly revealed its skill in realistic painting.

Compared to the skills that the family has engendered in his body, the times have given her more. Born in the late 1960s and 1980s, Jing Jing, who was born in the 1990s, experienced the impact of ideological emancipation. All of these motivated her to pay more attention to people in society, especially those around them, and pay attention to people. The care of the fate.

The solo works of Ukiyo-e also continue the "close-range" painting style of "my classmates". According to Jingbian, the “images in her works have come from many friends and observed modalities around me. Many of my ideas incorporate my artistic ideas through them, hoping to use humorous angles, self-consciousness, and iconic strong colors. Conflicts and other ways interpret the lives, the struggles, and their love and desires of the interesting people I know."

The "Phoenix Color" works have a strong sense of the screen, and its strong colors bring a strong visual impact. From a closer look, they will feel that these thick colors are not heavy, but there will be a sense of ethereality and illusion, giving people a sense of helplessness and hopelessness that they want to grasp but cannot grasp. The subjects of humanity and erotic objects in Bian Jing's works need the contrast of thick and ethereal colors to express their madness, helplessness, decadence, and despair. Because knowing can't be achieved eventually, you want to exhaust all the good in a short period of time and then return to silence.

The men and women in the picture are seeking warmth or close to each other, or they are only independent in the world. The desolateness, helplessness, struggle, and desperation revealed in their eyes are the same. This all implies the living conditions of this group and implies the pressure that social norms bring to people. Social norms are cruel and it "domesticated" people into silent majority. In the category of society, the public is the standard, the rule, and the niche is never considered. In this space emphasizing the general public, all individuals who want to show their individuality and seek freedom will be treated as aliens. Then fast. Humanity is distorted to meet the rules. This is the living cost that the society imposes on the individuals who live in it, and it is the price that the individual must pay to survive. Jing Jing used her works to reveal the suppression of human nature by social norms and the suppression of personality and freedom.

Compared with “my classmates”, the style of the works of “The Color of Ukiyo-e” has undergone great changes. The huge shift from realism to expressionism may be related to the social practice that Bijing had since 1992. In the process of practice, the men and women of all shapes and minds touched statically. The state of these people gave her a real emotional impact, enriched her experience, and broadened her horizons. Jing Jing presented in her works one by one the unique life landscape she saw in this group of people. He was enthusiastic and desperate. Because the rules of niche and incompatibility with the masses were not reconciled to this submission, the moths were like a fiery passion. And moving.

Bi Jing interprets the uniqueness and sensitivity of her females and interprets the yearning for individuality and freedom released by the niche but typical people who have made her move. She presents her on the canvas in her artistic language. A group's uneasiness, embarrassment, losslessness and lack of hope for the future.

Bi Jing’s performance techniques and screen impact provide the public with a unique perspective on the society. She uses the reality she sees and feels to arouse people’s reflections, trying to make the public see the hidden behind the surface of the light. The "true self".

The exhibition will continue until October 8.